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But the main point is whatever I heard, it stimulated me.

In Miles' book, he claims what he said was 'don't play the bottom notes.' I don't know whether he said bottom or butter notes. He supposedly told you not to play 'the butter notes.' But in his autobiography he tells a different story. You went to Miles Davis for advice when you were feeling you had reached an artistic cul-de-sac. If you start thinking about scientific analysis, it's already built into it. The practice of Buddhism, it covers a pretty wide territory.

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And how to use Buddhism in order to continue to move forward no matter what happens. We actually deal with the experiences that people have in their daily life. This is not like any religion that I know of. I don't have to bring it over from science. In a way that's already built into Nichiren Buddhism. Did you ever apply that engineering mindset to chanting to discover how it works for you? In your book you describe the disciplined analysis that came from applying your background in engineering to the challenges in your life. When all is said and done, they will again become natural allies. I also believe it will help attract a wider audience, not necessarily learning how to improvise in jazz but to improvise in a classical sense. The ability to improvise is an art that could really serve classical music very, very, very well. Improvisation is one of the things I'm very much interested in reigniting in classical musicians.

Bach, Mozart, Beethoven - all these people knew how to improvize. Are Euro classical and jazz natural allies?Ĭlassical music also began as improvised music. You sit on the board of the Thelonious Monk Institute of Jazz, which is representative of a new organizing principle for the jazz world, one that draws on the European classical model of competitions, conservatories and a musical canon. I might be able to help someone else by, 'Yes, I went through that too, so I understand.' It's a way of turning poison into medicine, which is a phrase we use in the Buddhism I practice. Thanks to my family, who were very supportive of the idea that now is time to bring that out.

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The hardest thing was talking about the addiction I had to crack at one time. I just thought this was the right time in my life and my career to do this. some life lessons I wanted to share with others. What propelled you to write your memoir now? In an exclusive interview, the 14-time GRAMMY winner discussed the most difficult part of writing his book, the improvisatory nature of classical music, why breaking the rules in music is important, and how misunderstanding Davis turned out to be golden.

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'But even at age 11, I tended to ignore possible racial slights … it was just my nature.'įrom vivid childhood recollections to tales of performing onstage or in the studio, racing up 6th Avenue in his AC Cobra alongside Miles Davis in his Maserati or floating down the Gambia River with Kermit and Miss Piggy, demonstrating an Ensoniq Mirage portable sampling keyboard, Hancock's book chronicles his fascinating career, a journey that has spanned seven decades and work with a cast of musical greats - from Benny Goodman and Tina Turner to Paul Simon and Carlos Santana. 'It would have been easy to feel suspicious, to wonder whether someone at the CSO just wanted to discourage the young African-American kid who'd surprised everyone and won their prestigious competition,' Hancock explains in his new autobiography, Herbie Hancock: Possibilities. Surprisingly on the bill was Mozart's Piano Concerto No.18.

Jordan, took him to see Dame Myra Hess perform with the CSO. He was even asked for his autograph.Ī few weeks later his piano teacher, Mrs. 26 and his performance was ultimately a success. In record time, Hancock learned Mozart's Piano Concerto No. The bad news: The orchestral parts went missing and Hancock would have to learn a new concerto or forgo his prize. The good news: His prize was to perform Mozart's Piano Concerto No. 4 Herbie Hancock will participate in GRAMMY U Off The Record With Herbie Hancock, an exclusive live Google+ Hangout On Air hosted by Flying Lotus.)Īt age 11, piano prodigy Herbie Hancock won a performance competition sponsored by the Chicago Symphony Orchestra.